Homan House, Gettysburg, Pennsylvania: Development of “Jeremy Ghost Script” and Framing Activities
The following investigative mise-en-scene (etic) was developed and consisted of the following elements: Sets: These included the 3 S.I.M.S. zones […]
The following investigative mise-en-scene (etic) was developed and consisted of the following elements: Sets: These included the 3 S.I.M.S. zones […]
In a previous article, I had talked about the distinction between an emic (haunting context) perspective, and the etic analysis
An individual or group which actively, and scientifically conducts fieldwork at haunted locations is (are), in actuality, sensory ethnographers. They
Each of us lives in a patterned world in which we uniquely perceive, experience, and interpret our interactions with others
Hauntings are past integrated systems of contextual sensory assemblages. They are not isolated sense "attributes," be they visual (orb", mists,
Theatre and theatrical productions contain the same ritual resonating elements as a séance: Both are social events between a performer
“We are both onlookers and actors in the great drama of existence.” – Niels Bohr "If one wishes to understand
“The Past is never dead, it isn’t even past” – William Faulkner This article proposes that ghostly phenomena occurs at